Reaching the West (Tahriib)

A Submission 25 -

  1. The nomads crossing seas represent not merely the uneasy equilibrium of their ancestral lands; they embody the continuing pain of change in its purest process, passing borders and human boundaries, carrying rose-watered tears of intertwining, individual hopes and familial aspirations, opening the doors of interconnectivity between billions of singularities.
  2. However, the changing political climate of the accumulative western masses, much like the weather of Denmark, remains clouded, rainy, and stormed by a prejudice, disguising the abrupt melancholy of the sun’s children, abandoned by their mother, and left in the darkness, exhaling in sadness, as she exhaled a soured smell.
  3. Upon arrival, the fleeing children inhale the oppressive smog in unison, realising; that they will never be as deeply, as solemnly, and as brazenly free as they were in the “motherland.” Nationalist fears and phobia, imprisons them systematically, evidently, judging and jailing the frozen bodies of southern folk, with misery gleaming in their eyes as they reach the West.
  4. The refugees, the ultimate recipients of deaf Western ears, live in fear since there is no solace to be awaited at these gates of “Paradise.” They’ve been battered and bruised and accused of being the plague, as they beg for safe passage, and as the ebbing tides of humanitarians’ hearts shift, harden, and transmute into rocks, some even harder.
  5. If they felt the wandering souls’ pain, if they realized that the minority does not erode the majority, could something change in The Normative Mind? Nevertheless, they remain quiet; a society shall not discredit its own. They shall distance themselves, while the media dictates our differences; so, they say all glory belongs to you, media!
  6. Oh media, we have no knowledge except that which you’ve bestowed upon us! Their truth remains stained by your falsified fiction; in the Society of the Concealed Sun, the shadows provide the only truth you know. And fear is accompanied by ignorance and collective hatred bleeding into one another: potent like the poisoned milk of broken mothers, it nurtures a new cycle of change.

FARDOSA SULEIMAN (Photographer) is nineteen years old and from San Jose, California. Fardosa began taking photographs only one year ago.

Instagram: @fvrdosa
Twitter: @fvrdosa

YAQUB MU’MIN TOXOW (Author) is a Danish-Somali poet and community activist engaged in issues of contemporary immigration, intersectional oppression, and social mobility.

Instagram: @muuminos

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